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The $67.5 million refurb of the Grand Théâtre de Genève, originally built in 1879, was worked on for three years by an elite team of carpenters, architects, acoustic engineers and goldsmiths who restored the gilded façade, Rococo halls and foyers, elaborate parquet floors and marble columns. They added a new box office, a courtyard, 1,100 square meters of rehearsal space and unveiled the previously concealed painted ceilings. It was all worth the wait when it reopened its doors in February 2019, establishing itself as the largest cultural institution in French-speaking Switzerland, and holding its own among Europe’s finest opera houses.
Musée d’ethnographie de Genève, nicknamed MEG and founded in 1901 by Swiss anthropologist Eugène Pittard, is home to Switzerland’s largest ethnographic collection, including 80,000 pieces and 300,000 documents: everything from 18th-century Swiss guns to sculptures and artifacts from societies as varied as Palestine, Tlingit, Congo and feudal Japan. In 2014, the museum, located in Geneva’s Jonction district, opened its current modernist pagoda-shaped building, designed by Zürich architects Marco Graber and Thomas Pulver, including new garden courtyards and an ethnomusicology library with workshops and listening spaces.